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A Passion Neither of the Mind Nor of the Heart

Stoner by John Williams novel cover
Currently Reading: 
Black Metal - Evolution of the Cult by Dayall Patterson
Fool's Errand (Tawny Man #1) by Robin Hobb
Today's Playlist: 
Galaxies by Laurence Vanay
s/t by Phantasia
The Holly Bears the Crown by The Young Tradition with Shirley and Dolly Collins

Over the course of this year those of you who pay attention to critical reviews of literature may have noted the praise heaped upon the New York Review of Books (NYRB) reprint of John Williams' 1965 novel Stoner. Tonight I finished my read of the novel, book number fifty of 2013 for me, and I can attest to the veracity of that critical praise. Stoner is a relatively slim novel that tells the life story of a man who is remarkable to the reader and yet leaves but the faintest impression on the world he moved through. Stoner relates all of William Stoner's life in such a way that one can't help but admire his quiet strength and integrity ... and his terrible fragility. For those who elect to read this novel, I strongly recommend you read the introduction by John McGahern after you read the book. Like too many prefaces or introductions not written by the author, it tells too much of what you'll soon be reading.

From the novel:

"Sometimes, immersed in his books, there would come to him the awareness of all that he did not know, of all that he had not read; and the serenity for which he labored was shattered as he realized the little time he had left in life to read so much, to learn what he had to know."

If this passage strikes you, you need to experience John Williams' novel. In a year that, for me, has been filled with arrant pleasures as well as both death ("... but not for you, Gunslinger") and its imminence, the closing of the novel, like the closing of the page, carried both weight and an unfettering.

I Talk To the Moon

Phantasia 1971 s/t album cover
Currently Reading: 
Black Metal - Evolution of the Cult by Dayall Patterson
Fool's Errand (Tawny Man #1) by Robin Hobb
Stoner by John Williams
Today's Playlist: 
Anno Domini by Tormentor
s/t by Mayfly
s/t by Phantasia
The Holly Bears the Crown by The Young Tradition with Shirley and Dolly Collins
The Lady and the Unicorn by John Renbourn

A few years ago I discovered a bootleg of a band called Phantasia. It's self-titled private press album from 1971. The record is a soft and dreamy take on late period psych and early prog. The yearning vocals work exceptionally well with the disconsolate lyrics, nearly all of which are drenched in despair and sadness. In its fragility it is beautiful. Yesterday I received an official German CD (circa 2002) from the World In Sound label. It features a sizable booklet comprised of the lyrics from the album and its bonus tracks. Most fascinating, however, were the lengthy liner notes by John "Depugh" Cavanaugh, the lyricist and drummer. I never before read a band history in a CD booklet that began: "My name is John Depugh. My father was dysfunctional. Instead of standing me in a corner for discipline, my dad locked me in a dog cage." It goes on from there to detail both the formation of his band (along with some deaths through accidents and some members being drafted) and the abuse he suffered at home. Several paragraphs later, there's this: "My egomaniac father decided it was his calling to save the world from communism and formed a paramilitary organization. Quickly convicted of various crimes, he jumped bond and went underground hoping to incite a revolution to overthrow the US government." Our hero is sent by his mother to live with his father after graduating high school in order to bring the family back together. His father is trying to live happily with his "concubine" on his compound. Resuming Depugh's text: "When I arrived he screamed in my face, 'You have shit for brains!' until I cringed like a dog. I just wanted to hide somewhere and smoke some cigarettes. He just wanted to beat my shitty brains out for embarrassing him in front of his recruits." And so it goes on with his father in solitary confinement in Federal prison and the band amounting to series of dead ends. At the very least, Phantasia left behind something of value who those who seek it out.

Pull the Switch

Portrait of Kate Wendland Duncan
Portrait of Pete Tridish
Portrait of Pete Tridish and Joseph A. Gervasi
Portrait of Joseph A. Gervasi and Kate Wendland Duncan
Currently Reading: 
Black Metal - Evolution of the Cult by Dayall Patterson
Fool's Errand (Tawny Man #1) by Robin Hobb
Today's Playlist: 
Essence/Universe by Laraaji
Galaxies by Laurence Vanay
Little Things Left Behind 1988-1998 by Roger Eno
Long Live Supersister! by Supersister
Punk 45: Kill the Hippies! Kill Yourself! by v/a
s/t by Liverpool Echo
The Art of the Netherlands by The Early Music Consort of London/David Munrow
The Lion In Winter OST by John Barry
The Miners' Hymns by Johann Johansson

Here are some bonus shots from the interview I conducted earlier this evening with Kate Wendland Duncan and Pete Tridish.

"We have a new world to conquer: they have only a lost cause to lose"

Currently Reading: 
Black Metal - Evolution of the Cult by Dayall Patterson
Fool's Errand (Tawny Man #1) by Robin Hobb
Today's Playlist: 
Journey In Satchidananda by Alice Coltrane (featuring Pharoah Sanders)
Little Things Left Behind 1988-1998 by Roger Eno
s/t by Liverpool Echo
The Lion In Winter OST by John Barry

It's been a few weeks since the last set of interviews went up, but that time has been frantically busy for me. Despite the fact that the holidays are upon us, I have a few interviews scheduled that I believe listeners will enjoy. The interviews are with some fascinating individuals and will continue to expand the scope of the project further afield but still under the umbrella of DIY punk.

I leave you with two quotes from John Wyndham's 1955 novel The Crysalids:

"Neither his kind, nor his kind of thinking will survive long. They are the crown of creation, they are ambition fulfilled -- they have nowhere more to go. But life is change, that is how it differs from rocks, change is its very nature. Who, then, were the recent lords of creation, that they should expect to remain unchanged? The living form defies evolution at its peril; if it does not adapt, it will be broken. The idea of completed man is the supreme vanity: the finished image is a sacrilegious myth."

"They are determined still that there is a final form to defend: soon they will attain the stability they strive for, in the only form it is granted -- a place among the fossils."

"There is comfort in a mother's breast, but there has to be a weaning. The attainment of independence, the severing of ties, is, at best, a bleak process for both sides; but it is necessary, even though each may grudge it and hold it against the other. The cord has been cut at the other end already; it will only be a futile entanglement if you do not cut it at your end, too.

"Whether harsh intolerance and bitter rectitude are the armour worn over fear and disappointment, or whether they are the festival-dress of the sadist, they cover an enemy of the life-force. The difference in kind can be bridged only by self-sacrifice: his self-sacrifice, for yours would bridge nothing. So, there is the severance. We have a new world to conquer: they have only a lost cause to lose."
 

In Memory of Cricket, Original Cat #3

Cricket the cat photo
Currently Reading: 
Fool's Errand (Tawny Man #1) by Robin Hobb
The Crysalids by John Wyndham
Today's Playlist: 
Electric Eden - Unearthing Britain's Visionary Music by v/a (Compiled by Rob Young)
Essence/Universe by Laraaji
Little Things Left Behind 1988-1998 by Roger Eno
The Miners' Hymns by Johann Johansson

RIP Cricket

1997-ish - December 6, 2013

"The burial didn't take long. The body was far smaller than the heart that it held."

- Stephen King, from The Dark Tower #7: The Dark Tower (2004)

This Book I Am Finishing Reading

Electric Eden book by Rob Young cover
Currently Reading: 
Electric Eden - Unearthing Britain's Visionary Music by Rob Young
The Dark Tower (Dark Tower #7) by Stephen King
Today's Playlist: 
A Dream Life of Hackney Marshes by Jetsam & Gareth E. Rees
Celestial Music 1978-2011 by Laraaji
Punk 45: Kill the Hippies! Kill Yourself! by v/a
s/t by Ahora Mazda
The Art of the Netherlands by The Early Music Consort of London/David Munrow
The Stargate Tapes 1979-1982 by Emerald Web

Brilliant.

Brilliant.

Brilliant.

Folk, As In Music Of and By the People

"There are no nightingales in these songs, no flowers -- the sun is rarely mentioned, their themes are work, poverty, hunger and exploitation. They should be sung to the accompaniment of pneumatic drills and swinging hammers, they should be bawled above the hum of turbines and the clatter of looms for they are songs of toil, anthems of the industrial age..."
-- Ewan MacColl in The Shuttle and the Cage (1954) as quoted in Electric Eden by Rob Young (2011).

An Obversation

Currently Reading: 
Electric Eden - Unearthing Britain's Visionary Music by Rob Young
The Dark Tower (Dark Tower #7) by Stephen King
Today's Playlist: 
Dell'Universo Assente by Luciano Cilio
Prati Bagnati del Monte Analogo by Lovisoni/Messina

A constructive alternative to looking at punk as a community is to see it as a family. Think about Thanksgiving (unless you're an anarchist). When grandpa is grumpy, dismissive, and archly conservative, everyone thinks he's a dick and wonders when he's going to finishing dying already. When grandma is filled with great stories and wise insights, everyone loves the old bird and they make real tears when she croaks. Likewise, when junior is an arrogant and dismissive little snot, everyone wants him to choke on a wishbone or at least grow the fuck up and get over himself. But when junior brings youthful vigor and enthusiasm for life to the table, the entire family feeds off his or her ebullient qualities. For my part in the family, I'm just glad I had a vasectomy all those years ago.

Squinting Through the Fog of Nostalgia

Currently Reading: 
Electric Eden - Unearthing Britain's Visionary Music by Rob Young
The Dark Tower (Dark Tower #7) by Stephen King
Today's Playlist: 
Dell'Universo Assente by Luciano Cilio
Prati Bagnati del Monte Analogo by Lovisoni/Messina

I heard that some veterans of the early '80s Philly hardcore scene thought that Friday's program should have focused more on that era. I'm somehow not surprised to hear this. When this information was passed on to me (none of these folks directly addressed me), I replied: "The program, like the audio interview series, was meant to illustrate a continuum. The viewer (like the listener) would see a timeline from the then to the now and see what changed and what remained the same. It was not meant to be an early '80s nostalgia show. I could have assembled only or mostly footage from that era, but I purposely elected not to. That's why the audience was so mixed and why the shows have been well-attended." I like to think that a vital subculture remains active and doesn't gaze, like a balding and chubby queen in the Snow White story, into a mirror asking, "Who was fairest of them all?"

L!FP! - Some Photos From the Last-Ever Philadelphia Live Presentation

Elizabeth Arnold addresses the L!F!P! audience by Karen Kirchhoff
Ruin camp on left, me on right at L!F!P! live by Karen Kirchhoff
The Ruin camp at L!F!P! live on Nov. 22, 2013 by Karen Kirchhoff
Currently Reading: 
Electric Eden - Unearthing Britain's Visionary Music by Rob Young
The Dark Tower (Dark Tower #7) by Stephen King
Today's Playlist: 
Dell'Universo Assente by Luciano Cilio
Prati Bagnati del Monte Analogo by Lovisoni/Messina
s/t by The A. Lords
The Stargate Tapes 1979-1982 by Emerald Web

Here are three shots by Karen Kirchhoff from the Friday, November 22, 2013 live presentation at PhilaMOCA:

Elizabeth Arnold addressing the crowd about fracking.

Me making air quotes to the Ruin camp.

The Ruin camp.

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